Промпт
Create a finished {ASPECT_RATIO} poster in the "cobalt-xerox-script-editorial-poster-style" visual system. The cobalt artwork itself must fill the raster nearly edge to edge, bounded only by a one-to-two-percent black keyline. Do not show a black presentation mat, floating card, wall, frame, room, or mockup.
STYLE FIDELITY IS THE FIRST PRIORITY. These anchors are mandatory: {STYLE_FIDELITY_ANCHORS}
LITERAL SOURCE CONTENT MUST CHANGE. Exclude: {SOURCE_CONTENT_TO_AVOID}
New macro subject: the near-abstract macro junction of two white-gloved fingertips, a black sleeve edge, and a cracked ceramic glaze, with no face or full hand visible
Action or state visible in the macro crop: pressing the two fractured glaze edges close enough that the dark seam dominates the image
Irregular lower Xerox cutout: an irregular mostly black silhouette of a broken porcelain fragment with one jagged white glaze vein and a torn catalog tag
Location that should be only faintly implied: a silent museum conservation laboratory after hours
Minimal background fragments: only a sliver of shadowed caliper metal, a torn cotton fiber, and a nearly lost catalog grid
New all-caps headline: FRAGMENTS FORM A MAP
Original two-column editorial copy: Every break records pressure, time, and repair. The archive begins where the original shape can no longer explain itself. A missing edge becomes evidence; a stain becomes chronology. Reconstruction does not erase damage. It gives the damage a position, a scale, and a relation to what remains.
Tiny archival mark: ARCHIVE 07 / ◇
Wardrobe or material styling: matte black cotton sleeves and plain white conservation gloves
HARD COMPOSITION LOCK — all six requirements must be visible:
1. Split the supplied headline into two physically separate monumental white neo-grotesk blocks. Put only the opening words in the crowded upper band and reserve the remaining words for a second huge block below the photograph. Never place the complete headline together at the top.
2. Select one recognizable word from the supplied headline and write that same word exactly twice as enormous thin white outline-only cursive lettering. Each repetition must be wider than the poster, visibly cropped at both sides, and cross at least two zones. These are legible word contours, not small abstract loops or decorative swooshes.
3. Place one wide horizontal black-and-white photograph through the middle, spanning 84 to 94 percent of the width. Use an ambiguous extreme macro crop: one tactile fragment of the new subject fills the frame, with almost no explanatory environment. Reject normal documentary composition or a medium shot.
4. Place the second headline block immediately below the photo at the same monumental scale as the upper block. Allow the second cursive repetition and the cutout to obscure parts of these letters.
5. Convert the supplied prop into one irregular, mostly carbon-black, torn-edge Xerox cutout. Make it intrude across the lower headline and the gap between the footer columns. Keep it flat and shadowless; never center it alone as a product hero on empty blue.
6. Pack the bottom with two narrow white microcopy columns, each roughly eight to twelve short lines, plus a tiny parenthetical caption. The cutout must crowd both columns. Total visual occupancy must feel about 88 to 94 percent, with only narrow cobalt seams.
Typography: monumental paper-white all-caps neutral neo-grotesk with very tight leading, compact tracking, deliberate edge cropping, and ink-starved toner damage; two larger-than-page legible cursive repetitions in a single hairline white outline; tiny dense white editorial columns; microscopic anonymous masthead and kicker. Render the supplied main headline exactly without inventing names or logos.
Color and texture: use only intense electric cobalt blue, warm paper white, and carbon black. Apply clearly visible coarse paper tooth, blue spot-ink grain, toner freckles, enlarged halftone dots, distressed white-letter edges, ink starvation, and slight scan roughness across the entire page. The photo must have crushed black masses and chalk-white highlights. Keep this physical-print texture intentional and legible rather than digitally muddy.
Flatness: all elements are orthographic pasted print layers. No realistic cast shadows, product lighting, bevels, depth, or floating cards.
Ratio behavior: adapt the collision system to {ASPECT_RATIO} without simplifying it. Both ratios must retain two separate headline blocks, two cropped cursive word repetitions, one horizontal macro photo, one intrusive cutout, and dense twin footer columns.
Mood: unresolved, cerebral, abrasive, poetic, and physically photocopied; experimental art-journal poster energy, not a clean archival infographic.
Avoid clean template spacing, large empty cobalt zones, complete headline only at the top, a single decorative script loop, normal documentary scenes, explanatory environments, centered circular product medallions, realistic object shadows, infographic balance, museum-label design, full-color photography, extra hues, gradients, glossy polish, smooth grayscale, 3D type, glow, comic panels, sticker clutter, logos, watermarks, usernames, QR codes, signatures, platform marks, and presentation mockups.
Match this dense collision system before changing content. Change the source subject, action, prop, location, text, and story premise while preserving the macro crop, fragmented type hierarchy, repeated script grammar, analog texture, and lower-page congestion.
Negative prompt:
Outer black presentation mat, floating poster card, wall mockup, room scene, clean infographic, archival placard, museum label, large empty blue field, generous safe margin, complete headline only at top, small abstract script loop, only one cursive repetition, conventional documentary scene, medium shot, fully visible person, centered product hero, circular medallion floating alone, realistic object shadow, source face or eyes, pinecone, seed cone, source slogan, source masthead, copied body text, copied line breaks, logo, watermark, username, signature, QR code, platform mark, full-color photography, additional hues, gradient, glossy finish, smooth digital grayscale, 3D type, extrusion, bevel, glow, cinematic lighting, lens flare, sticker clutter, comic panels, illegible main headline.